Dunlop has officially reissued the Cry Baby BB535 wah pedal in 2026, reviving a design that first appeared in 1994, received an update in 1999, and had been out of production for decades. The BB535 reissue retains the wide-range frequency sweep and multi-position control architecture that made the original a session favorite, while incorporating updated internals suited to modern signal chains. Guitar World described the pedal as 'a very versatile wah pedal that has you covered for whatever style of music you play,' noting its ability to serve players across genres from funk to heavy rock. The return of the BB535 reflects a broader 2026 trend of boutique-adjacent mass-market reissues targeting collectors and working musicians who missed the original run. For wah pedal enthusiasts and Dunlop collectors, the BB535 reissue represents one of the more significant effects pedal announcements of the summer, landing alongside a busy August release window that has also seen new drops from Martin, MXR, and Fender.

Dunlop has reissued the Cry Baby BB535 wah pedal in August 2026, bringing back a design that originally debuted in 1994, was updated in 1999, and has been absent from the market for years. Guitar World called it "a very versatile wah pedal that has you covered for whatever style of music you play," and the reissue lands during one of the busiest gear release weeks of the year, alongside announcements from Martin, MXR, and Fender.
For collectors who track effects pedal histories, the BB535 has a specific place in the Cry Baby lineage. It sits above the standard GCB95 in Dunlop's hierarchy and below the more specialized artist signature models, occupying a middle ground that made it appealing to session players and touring guitarists who needed a single wah that could flex across genres without a pedal swap.
The original BB535 was notable for its variable frequency sweep control, which allowed players to adjust the pedal's vocal character rather than accepting a fixed response. Where a standard Cry Baby delivers one tonal window, the BB535 opened that range up considerably. That feature, combined with a boost circuit and selectable low-end response, made it a practical tool for players moving between clean funk, crunch rock, and high-gain lead work within a single set.
The 1999 update refined the circuit's response and addressed some noise floor issues that had been noted in the 1994 version. The 2026 reissue builds on that 1999 configuration while updating the internal components to work cleanly with the buffered signal chains and high-output pickups more common in today's rigs.
The timing reflects where the effects pedal market sits in 2026. According to Reverb's 2026 market data, vintage and discontinued wah pedals have seen a 34 percent increase in average sale price over the past 18 months, driven partly by a renewed interest in analog signal coloring as a reaction against heavily digitized rigs. Dunlop is not the only manufacturer responding to that signal. The August 2026 gear release window has been unusually dense, suggesting manufacturers are front-loading product launches ahead of the fourth quarter.
The BB535 specifically had developed a secondary market reputation that made a reissue commercially logical. Used examples in good condition had been selling at prices that rivaled entry-level boutique wahs, creating a gap the original manufacturer was well-positioned to fill.
For collectors, the question of how a reissue compares to original production units is always central. The 2026 BB535 uses updated components that prioritize reliability and reduced noise over exact vintage specification, which is a practical choice but one that may matter to purists who specifically seek out the tonal character of early-run units.
According to Guitar World's August 2026 review, the reissue captures the essential character of the BB535's frequency sweep range and retains the multi-position functionality that distinguished it from simpler Cry Baby models. The review stops short of a direct circuit comparison with original units, but the hands-on assessment suggests Dunlop has preserved what made the pedal useful rather than simply attaching a familiar name to a different circuit.
The enclosure retains the visual identity of the BB535 line, which matters for collectors who track production variations. Whether the 2026 reissue will itself become a collectible in time depends on how long the production run continues and whether Dunlop treats it as a permanent catalog addition or a limited reissue event.
The BB535 reissue arrived in a particularly active week for gear announcements. Guitar World's August 14 roundup highlighted new drops from Martin, MXR, and Fender, as well as what the publication called "quite possibly the future of the S-style" in reference to an unnamed new guitar release. EVH also made noise this week with Jacob DeRaps presenting the 2026 Wolfgang Special models, which feature quartersawn baked maple necks and graphite reinforcement on the bolt-on construction.
For collectors, a busy release window creates both opportunity and noise. The BB535 reissue is notable specifically because it revives a discontinued model with an established collector history, rather than introducing an entirely new product. That distinction is meaningful when tracking which announcements are likely to have lasting value in a catalog.
Dunlop's Cry Baby series has one of the longer and more complicated production histories in effects pedal collecting. Variants, limited runs, artist signatures, and regional releases have created a deep catalog that serious collectors spend years mapping. According to data from Equipboard's 2026 gear tracking report, the Cry Baby appears in the rigs of more professional guitarists than any other wah pedal brand, which sustains demand for both current and vintage examples across the entire model range.
The BB535 reissue adds a new chapter to that history. For collectors who already hold original 1994 or 1999 units, the reissue's existence is relevant context for understanding how Dunlop is positioning the model and what that might mean for the vintage originals' market value over time.
If you own an original BB535 from the 1994 or 1999 production runs, your Fretfolio collection page is the right place to document its specific variant, condition, and provenance before reissue pricing begins to create noise in the secondary market. Fretfolio's effects pedal tracking supports Dunlop model variants, so you can distinguish your vintage unit from the 2026 reissue in your collection record and monitor how values shift as the new production run establishes its own market presence.
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